In a Few Minutes,
You Can Be Learning The Fine Art of Drawing From One of the Foremost
Authorities of The Science and Practice of Drawing!
Finally, You Can Now Learn How To Draw Like A Pro Without
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Almost
300 pages step-by-step manual teaches you how to become
an expert in drawing and art even if
you failed art in High School!
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Dear Friend,
It's never too late to learn to draw,
and the best thing is, it doesn't have to be expensive to learn to draw!
At last, you can now learn the fine art
of drawing without enrolling in an expensive art school.
Learn the art in the comfort of your
own home in your spare time at a fraction of the cost in enrolling in
an art school with the "The Practice and Science of Drawing" by
Harold
Speed!
No commuting to and from a trade school
ever! No hours lost to your existing employment, housework or studies!
Learn
Drawing Step By Step!
"The Practice and Science of Drawing"
is
a comprehensive manual that contains over a hundred illustrations to
guide you step-by-step and help you achieve mastery in the The
Practice and Science of Drawing.
Let the author's illustrations guide
you through the various stages of drawing. With this step-by-step
manual learning the art of drawing would be enjoyable and easy!
The
illustration below shows the different stages of mass drawing with the
brush (Plate I. The Practice and Science of Drawing).
"The Practice and Science of
Drawing" is an extraordinarily brilliant work that also contains
extensive discussions about modern art and various styles, techniques
and philosophies of different artists.
In Chapter I for instance the author
talks about the various studies about different artists' styles and
points of views.
In describing the works of different
artists for instance, the author writes:
"If anybody looks at a picture by Claude Monet from the
point of view of a Raphael, he will see nothing but a meaningless
jargon of wild paint-strokes.
And if anybody looks at a Raphael from the point of
view of a Claude Monet, he will, no doubt, only see hard, tinny figures
in a setting devoid of any of the lovely atmosphere that always
envelops form seen in nature. So wide apart are some of the points of
view in painting."
Learn The
Science of Drawing!
More importantly, "The Practice and Science of Drawing"
is also a scientific investigation about the art of drawing.
Take for instance how the author
expounds on the art of drawing:
"The best things in an artist's work are so
much a matter of intuition, that there is much to be said for
the point of view that would altogether discourage intellectual inquiry
into artistic phenomena on the part of the artist.
Intuitions are shy things and apt to
disappear if looked into too closely. And there is undoubtedly a
danger that too much knowledge and training may supplant the natural
intuitive feeling of a student, leaving only a cold knowledge of the
means of expression in its place.
For the artist, if he has the right stuff in
him, has a consciousness, in doing his best work, of something, as
Ruskin has said, "not in him but through him." He has been, as
it were, but the agent through which it has found expression."
Table
Of Contents
I..........................INTRODUCTION
II.........................DRAWING
III........................VISION
IV.........................LINE DRAWING
V..........................MASS DRAWING
VI.........................THE ACADEMIC AND CONVENTIONAL
VII........................THE STUDY OF DRAWING
VIII.......................LINE DRAWING: PRACTICAL
IX.........................MASS DRAWING: PRACTICAL
X..........................RHYTHM
XI.........................RHYTHM: VARIETY OF LINE
XII........................RHYTHM: UNITY OF LINE
XIII.......................RHYTHM: VARIETY OF MASS
XIV.......................RHYTHM: UNITY OF MASS
XV........................RHYTHM: BALANCE
XVI.......................RHYTHM: PROPORTION
XVII......................PORTRAIT DRAWING
XVIII.....................THE VISUAL MEMORY
XIX.......................PROCEDURE
XX........................MATERIALS
XXI.......................CONCLUSION
APPENDIX.......................
INDEX.......................
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